studio
$2,795.00USD
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Best for
Recordists who need a full-spec cardioid condenser in a miniature package: the capsule and amplifier are integrated into one compact body with a detachable Lemo connector, which suits boom, film/location, and discreet spot- or concert-miking positions where a standard-size mic is intrusive. Auto-switching P48/P12 powering (4 mA at P48) and the ability to drive cables longer than 400 m make it practical on bag rigs and long installed runs. With 15 dB-A self-noise, 13 mV/Pa sensitivity, and 136 dB max SPL at P48, it covers quiet acoustic sources through loud spot-miked instruments, and the cardioid pattern's 20-30 dB rear rejection plus 4.8 dB diffuse-field attenuation helps in reverberant rooms and on stages with monitor bleed.
Who should skip
Anyone who needs in-mic gain management: there is no switchable pad and the low-cut is fixed at 20 Hz, so sources exceeding 136 dB SPL (128 dB when running on P12) or workflows that rely on switchable filtering need a different microphone. Users who want to plug straight into standard XLR chains without a Lemo cable should look at the CCM 4 K fixed-cable XLR-3M version (order no. 121016) instead of this Lemo variant. Frequency response starts at 40 Hz, so work that demands capture below that point is outside its stated range.
Watchouts
Max SPL figures differ by source: the current SCHOEPS page lists 136 dB SPL at P48 and 128 dB at P12 (THD < 0.5%), while the older CCM manual's spec table lists 132 dB - and note that running on P12 power costs 8 dB of headroom versus P48. The 20 Hz low-cut is fixed and gentle (-3 dB, 12 dB/octave), so it will not substitute for wind protection or a steeper high-pass on rumble-prone locations. The Lemo connector is the defining variant trait: cabling must match it, unlike the fixed-cable XLR-3M CCM 4 K version.
Likely add-ons
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