studio
$25,799.00USD
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Best for
Medium-to-large professional control rooms, mastering suites, and film re-recording/dubbing stages that need a full-range main monitor with high SPL headroom (118 dB at 1 m) and deep low-end reach (32 Hz free-standing, 25 Hz soffit-mounted). Suited to engineers who want ATC's in-house 75 mm mid dome and are set up for external rack amplification.
Who should skip
Home studios, small control rooms, and near-field users. At roughly 832 x 728 x 424 mm per cabinet and a very heavy build, plus a separate rack-mounted P4 amplifier pack requiring balanced XLR feeds, it is impractical for desktop or space-constrained rooms. Anyone wanting an all-in-one self-powered near-field monitor should look elsewhere.
Watchouts
Sources conflict on weight and exact dimensions: ATC's own datasheet lists 79 kg / 174 lbs and 832 x 728 x 424 mm, while retailers Economik and KMR Audio list 116 kg / 255 lbs and 830 x 730 x 440 mm — confirm shipping weight and rigging/soffit load before purchase. Way-count is also described inconsistently (manufacturer/most retailers call it a 3-way; KMR lists it as 4-way, likely counting the dual bass amplifier channels). Tweeter size is listed as 34 mm / 1.25 in by ATC but 30 mm by KMR. Amplitude linearity is quoted only to 12 kHz (±2 dB); the -6 dB point is 20 kHz. Finish/color and MPN were not stated on any source reviewed.
Likely add-ons
Verify before buying